Monday, April 7, 2025

Trivia: MPDO 2

 

It’s Trivia Time!

Alam niyo ba na may mga mandatong plano na dapat icomply ang LGU, at ang Opisina ng MPDC ang lead office na gumagawa ng karamihan sa mga ito?

Ang Seksyong 106 ng Republic Act No. 7160 o Local Government Code of 1991 ay naglalayon sa lahat ng lokal na pamahalaan na magkaroon ng multi-sektor na plano sa pag unlad.

 

Ang Comprehensive Land Use Plan - (CLUP) ay siyam na taong plano na nagtatakda ng mga alituntunin para sa paggamit at pamamahala ng lupa. Layunin nito na masiguro ang wastong paggamit ng mga lupain alinsunod sa mga pangangailangan at layunin ng komunidad, kasama na ang pag-unlad ng mga lugar at mga patakarang pangkapaligiran.

 

Ito ay iba pa sa CDP o ang Comprehensive Development Plan – (CDP). Ang CDP ay anim na taong plano na naglalaman ng mga estratehiya, layunin, at patakaran para sa pangkalahatang pag-unlad ng isang lungsod o munisipalidad. Nakatuon ito sa mga aspeto tulad ng ekonomiya, imprastruktura, at serbisyong panlipunan sa loob ng isang tiyak na panahon.

 

Ang Executive-Legislative Agenda (ELA) naman ay tatlong taong plano na nag-uugnay sa mga layunin ng ehekutibo at lehislatibo sa isang lokal na gobyerno. Binubuo ito ng mga lokal na halal na opisyal at naglalayong isulong ang mga proyekto at programa na sumusuporta sa mga layunin ng pamahalaan. Pinapadali nito ang koordinasyon sa pagitan ng dalawang sangay ng LGU.

 

Ang Local Development Investment Plan (LDIP) ay ang pangunahing dokumento para sa pagpapatupad ng CDP at ELA. Isinasalin nito ang mga layunin ng CDP at ELA sa mga konkretong proyekto at aktibidad na may kasamang badyet. Nakatuon ito sa mga prayoridad na proyekto na dapat pondohan ng LGU.

 

Ang Annual Investment Program (AIP) ay isang bahagi ng plano na naglalarawan ng mga taunang kinakailangan sa yaman para sa lahat ng proyekto at programa ng lokal na pamahalaan. Naglalaman ito ng mga alokasyon para sa mga gastusin at pagpapatupad ng mga proyekto sa loob ng isang taon.

 

Ang CDP ay mas malawak at nakatuon sa pangkalahatang pag-unlad, habang CLUP ay partikular sa paggamit ng lupa.

Ang ELA ay nakatuon sa pagkakaisa ng mga layunin ng ehekutibo at lehislatibo, samantalang ang LDIP ay tumututok sa mga kongkretong proyekto para sa pagpapatupad ng CDP at ELA.

Ang AIP ay isang taunang plano na naglalaman ng mga pondo para sa mga proyekto na nakapaloob sa LDIP.

 

Tulad din ng nakasaad sa Seksyon 305 (h) ng LGC at Artikulo 410 ng Implementing Rules and Regulation (IRR) ng parehong batas, ang mga nabanggit na plano at mga programang pamumuhunan ay dapat na nakahanay sa mga plano at mga programang pamumuhunan ng mas mataas na antas ng LGUs, probinsiya, rehiyon, pati na rin ng pambansang gobyerno (NG), upang mapabuti ang paggamit ng mga yaman at maiwasan ang pag-uulit sa paggamit ng mga piskal at pisikal na yaman.

Bilang karagdagan dito, narito ang listahan ng iba pang mga plano sa pag-unlad at ang mga responsableng opisina sa paggawa ng mga ito.

[NOTE TO MIKE: SCROLL DOWN NA LANG instead of reading it.]

OTHER MANDATED PLANS AND SECTORAL/THEMATIC PLANS

LEAD OFFICE/S

1. Action Plan for the Protection of Children

MSWDO

2. Agri-Fishery Mechanization Plan

MAO

3. Annual Culture and the Arts Plan

MTICAO

4. Anti-Poverty Reduction Plan

BPRAT

5. Local Disaster Risk Reduction and Management Plan

MDRRMO

6. Gender and Development Plan

MSWDO

7. Local Tourism Development Plan

MTICAO

8. Solid Waste Management Plan

ESWMO

9. Plan for PWDs

MSWDO

10.Local Climate Change Action Plan

MDRRMO

11. Peace and Order Public Safety Plan

DILG

12. Devolution Transition Plan

MPDO

13. Local Roads Network Development Plan

MEO

14.Public Service Continuity Plan

MDRRMO/ICT

15. Municipal Water Supply and Sanitation Master Plan

MPDO

16. Nutrition Action Plan

MNAO

17. ICT Plan

ICT

18. Local Shelter Plan

MPDO

19. Plan for the Elderly

MSWDO

20. Plan for Health and Family Planning

RHU

21. Capacity Development Agenda/HRMD Plan

HRMO

22. Local Public Transportation Route Plan

MPDO

23. Tricycle Route Plan

MPDO

24. Workforce Development Plan

PESO

 

 

Journey to SVFP Shrine

 Note behind the Scenes


When Ma'am Clarita Jimenez first told me about her wish to have our parish church be declared officially as a shrine, we were about to finish her coffee table book on local Catholic church history. That was years ago. I was incredulous at the mere thought, for I grew up hearing local elders who claimed that the church had long been considered a "national shrine" of St. Vincent Ferrer. One surviving resident in her 90s attests that this has been so since the 1930s.

But apparently, being a people who don't keep archives of paperworks (understandable -- no one wants to attract mildew, mold, termite, and silverfish), we couldn't prove with authenticized documents that the once-popular acclamation was true, so I guess new work had to be done. But did the hard work of having the parish church declared officially as shrine have to be placed on our poor shoulders?

But you don't say no if you are asked to serve God or the church -- not in this special way.

The next thing I and the rest of her willing-unwilling 'victims' know, we were part of the St. Vincent Ferrer Parish Church's Ministry on Culture and Heritage, which was later renamed to Ministry on Shrine, Culture, and Heritage.

It was quite an unusual set-up in the sense that the members included the same people we know either as municipal consultants or members of the Bayambang Municipal Culture and Arts Council, thus blurring the lines between church (parish) and state (LGU). The move, after all, is not just religious in nature; a part of it is also about culture, history, and heritage. After all, stories about parishioners' devotion to the patron saint, for instance, are part and parcel of the town's lore.

In no time, we were holding a series of informal meetings for this purpose, until the main proponent finally asked the parish priest at the moment to lend his support to the idea of formally requesting the archbishop of the Archdiocese of Lingayen-Dagupan (a very familiar figure back in Metro Manila where I was based) to give his official blessing.

Due to my condition (I've been suffering from agoraphobia and hyperacusis), I couldn't attend other activities that required going out in the heat of the sun and other physically strenuous activities, but I handled other tasks like what else but writing and editing and the like when needed.

We knew the project was an uphill battle because we didn't know the archbishop personally and we knew that he was no pushover. And besides, there was a set of challenging conditions that must be met. These include a petition letter signed by all living Bayambangueรฑo priests and the current parish priest and a historical sketch of the church and parish. The latter was alredy mission accomplished some years before, thanks to Ma'am Clarita's book. From the guidelines that we read, we added the reestablishment of a museum, a brochure, a visible tarp in front of the church announcing the church's services, and we even threw in a compilation of local townsfolk's testimonies about their St. Vincent Ferrer devotion and improvement works on the church and church offices.

Furthermore, meetings were quite hard to pull off because of constant mismatch in members' schedules. Then there was the matter of finding sponsors and additional hands to overcome these challenges and meet the conditions.

But apparently, we were able to prove that it can be done. Early this March, we finally received the good news.

There must have been some powerful prayer warriors at work all along. Not being an active churchgoer and church worker lately (thank God for live masses online), I am not privy to the other efforts being done by other church workers with this same aim, so this is the only side I am able to write about.

I am glad that in my very limited capacity, I can say I was a part of it.

(Not in photo is Fr. Rowell Rocaberte, who assisted us on the process of application for a parish to become officially a shrine.)

Thursday, April 3, 2025

Leovigildo 'Leo' Miguel Giron: "the father of largo mano in America"

 (๐˜œ๐˜ฏ๐˜ฃ๐˜ฆ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ๐˜ฏ๐˜ด๐˜ต ๐˜ต๐˜ฐ ๐˜ฎ๐˜ข๐˜ฏ๐˜บ, ๐˜ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ฃ๐˜ฆ๐˜ฆ๐˜ฏ ๐˜ฒ๐˜ถ๐˜ช๐˜ฆ๐˜ต๐˜ญ๐˜บ ๐˜ท๐˜ฐ๐˜ญ๐˜ถ๐˜ฏ๐˜ต๐˜ฆ๐˜ฆ๐˜ณ๐˜ช๐˜ฏ๐˜จ to ๐˜ฉ๐˜ฆ๐˜ญ๐˜ฑ ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ง๐˜ฐ๐˜ณ ๐˜ช๐˜ฏ๐˜ฅ๐˜ช๐˜ท๐˜ช๐˜ฅ๐˜ถ๐˜ข๐˜ญ๐˜ด ๐˜ธ๐˜ฐ๐˜ณ๐˜ต๐˜ฉ๐˜บ ๐˜ฐ๐˜ง ๐˜ญ๐˜ฐ๐˜ค๐˜ข๐˜ญ ๐˜จ๐˜ฐ๐˜ท๐˜ฆ๐˜ณ๐˜ฏ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜จ๐˜ฏ๐˜ช๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ข๐˜ญ๐˜ญ ๐˜บ๐˜ฆ๐˜ข๐˜ณ ๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ. ๐˜–๐˜ง๐˜ต๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฎ๐˜ฆ๐˜ด ๐˜ฎ๐˜บ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ฑ๐˜ข๐˜ด๐˜ด ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ค๐˜ณ๐˜ถ๐˜ต๐˜ช๐˜ฏ๐˜บ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ข๐˜ฑ๐˜ฑ๐˜ฐ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ฅ ๐˜š๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜Š๐˜ฐ๐˜ฎ๐˜ฎ๐˜ช๐˜ต๐˜ต๐˜ฆ๐˜ฆ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ด๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ช๐˜ฎ๐˜ฆ๐˜ด ๐˜ฏ๐˜ฐ๐˜ต (๐˜ข ๐˜ท๐˜ฆ๐˜ณ๐˜บ ๐˜ถ๐˜ฏ๐˜ค๐˜ฐ๐˜ฎ๐˜ง๐˜ฐ๐˜ณ๐˜ต๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ฎ๐˜ฆ). ๐˜ ๐˜ฏ๐˜ฆ๐˜ท๐˜ฆ๐˜ณ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ฎ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ฅ ๐˜ข๐˜ฏ๐˜บ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ท๐˜ฆ ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ต๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜ธ๐˜ฐ๐˜ณ๐˜ต๐˜ฉ๐˜บ ๐˜ฐ๐˜ง ๐˜ธ๐˜ช๐˜ฅ๐˜ฆ ๐˜ข๐˜ค๐˜ค๐˜ญ๐˜ข๐˜ช๐˜ฎ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ธ๐˜ฆ ๐˜ข๐˜ณ๐˜ฆ ๐˜ข๐˜ญ๐˜ญ ๐˜ฉ๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฅ๐˜ช๐˜ท๐˜ฆ๐˜ณ๐˜ด๐˜ฆ ๐˜ฐ๐˜ฑ๐˜ช๐˜ฏ๐˜ช๐˜ฐ๐˜ฏ๐˜ด, ๐˜ข๐˜ฏ๐˜ฅ ๐˜ ๐˜จ๐˜ฆ๐˜ต ๐˜ต๐˜ฉ๐˜ข๐˜ต. ๐˜ž๐˜ฉ๐˜ช๐˜ญ๐˜ฆ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ ๐˜ญ๐˜ฐ๐˜ฏ๐˜จ๐˜ฆ๐˜ณ ๐˜ข ๐˜ฑ๐˜ข๐˜ณ๐˜ต ๐˜ฐ๐˜ง ๐˜ฎ๐˜บ ๐˜ซ๐˜ฐ๐˜ฃ, ๐˜ช๐˜ต ๐˜ด๐˜ฐ ๐˜ฉ๐˜ข๐˜ฑ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ด ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ ๐˜ฆ๐˜ฏ๐˜ซ๐˜ฐ๐˜บ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ด๐˜ฆ๐˜ข๐˜ณ๐˜ค๐˜ฉ ๐˜ด๐˜ช๐˜ฏ๐˜ค๐˜ฆ ๐˜ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ช๐˜ฆ๐˜ท๐˜ฆ ๐˜ฅ๐˜ฆ๐˜ฆ๐˜ฑ๐˜ญ๐˜บ ๐˜ช๐˜ฏ ๐˜ช๐˜ต๐˜ด ๐˜ธ๐˜ฐ๐˜ณ๐˜ต๐˜ฉ ๐˜ฆ๐˜ท๐˜ฆ๐˜ฏ ๐˜ช๐˜ง ๐˜ช๐˜ต'๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ด๐˜ต ๐˜ฑ๐˜ฐ๐˜ฑ๐˜ถ๐˜ญ๐˜ข๐˜ณ ๐˜ค๐˜ข๐˜ถ๐˜ด๐˜ฆ. ๐˜๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ข๐˜ด๐˜ฆ ๐˜ฐ๐˜ง ๐˜Ž๐˜ช๐˜ณ๐˜ฐ๐˜ฏ, ๐˜ช๐˜ต ๐˜ต๐˜ฐ๐˜ฐ๐˜ฌ ๐˜ฎ๐˜ฆ ๐˜ฎ๐˜ข๐˜บ๐˜ฃ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ณ๐˜ฆ ๐˜ต๐˜ฉ๐˜ข๐˜ฏ ๐˜ข ๐˜บ๐˜ฆ๐˜ข๐˜ณ ๐˜ซ๐˜ถ๐˜ด๐˜ต ๐˜ต๐˜ฐ ๐˜ฃ๐˜ฆ ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฑ๐˜ช๐˜ฆ๐˜ค๐˜ฆ ๐˜ต๐˜ฐ๐˜จ๐˜ฆ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜ฃ๐˜ฆ๐˜ญ๐˜ฐ๐˜ธ. ๐˜ ๐˜ข๐˜ฎ ๐˜จ๐˜ญ๐˜ข๐˜ฅ ๐˜ฎ๐˜บ ๐˜ฏ๐˜ฐ๐˜ฎ๐˜ช๐˜ฏ๐˜ข๐˜ต๐˜ช๐˜ฐ๐˜ฏ ๐˜จ๐˜ฐ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ฐ๐˜ฅ ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ช๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฑ๐˜ฆ๐˜ฏ๐˜ฅ๐˜ฆ๐˜ฏ๐˜ต ๐˜ฃ๐˜ฐ๐˜ฅ๐˜บ ๐˜ต๐˜ฉ๐˜ช๐˜ด ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ข๐˜ณ๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ. ๐˜•๐˜ฐ๐˜ธ ๐˜Ž๐˜ช๐˜ณ๐˜ฐ๐˜ฏ'๐˜ด ๐˜ฉ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ต๐˜ฐ๐˜ธ๐˜ฏ ๐˜ง๐˜ช๐˜ฏ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ช๐˜ด ๐˜ข๐˜ฃ๐˜ญ๐˜ฆ ๐˜ต๐˜ฐ ๐˜ฌ๐˜ฏ๐˜ฐ๐˜ธ ๐˜ข๐˜ฃ๐˜ฐ๐˜ถ๐˜ต ๐˜ฉ๐˜ช๐˜ด ๐˜ต๐˜ณ๐˜ถ๐˜ญ๐˜บ ๐˜ฎ๐˜ข๐˜ต๐˜ข๐˜ญ๐˜ถ๐˜ฏ๐˜จ๐˜จ๐˜ข๐˜ณ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ณ ๐˜ฐ๐˜ถ๐˜ต๐˜ด๐˜ต๐˜ข๐˜ฏ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ข๐˜ค๐˜ฉ๐˜ช๐˜ฆ๐˜ท๐˜ฆ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด.)


LEOVIGILDO 'LEO' MIGUEL GIRON
Local escrima grandmaster (traditional martial arts practitioner); "the father of largo mano in America"

An escrima master from Bayambang has been recognized as a legend in the United States. His name is Leovigildo 'Leo' Miguel Giron.

Eskrima or escrima is a general term for “the traditional martial arts of the Philippines, which emphasize the use of sticks, knives, and various improvised weapons.”

Born on August 20, 1911, and a native of Brgy. Hermoza, this town, Giron is recognized as a grandmaster by no less than the well-known Hollywood martial arts instructor Dan Inosanto of Stockton, California who was among his proteges.

Fil-Am historian Dawn Bohulano Mabalon, in her book, "Little Manila is in the Heart" (Duke University Press, 2013), wrote that Giron had already settled in the United States when he came back to the Philippines during World War II as part of US-Filipino defense forces. He was assigned, among a select few, in a “top-secret counterintelligence unit” of the First Filipino Infantry Regiment in 1942.

It was during his time as guerrilla back in his home country that Giron met his wife.

As a guerrilla, he further learned native Filipino martial arts from his superior in the military.

However, he grew up training at it from an early age in the Philippines until murder and crime incidents in his community in California pressed him to improve on his skills and acquire more knowledge. Mabalon noted that Giron was prompted to revive his interest in escrima as a form of self-defense when eight student nurses, two of them Filipina, were brutally raped, beaten, tortured, and murdered in Chicago in 1966. In September 1968, Giron opened his own escrima school in Tracy, south of Stockton, to teach his largo mano system. (Literally "long hand" in Spanish, largo mano is a "long-range fighting technique that uses a 30-inch stick or blade to keep an opponent at bay.") He moved the school to South Stockton in 1973, and the club was formally named the Bahala Na Filipino Martial Arts Club in 1979.

He would eventually be recognized as the "Father of Largo Mano in America." He would rise to become the guro (mentor) of "martial arts luminaries" such as Ted Lucaylucay, Dentoy Revillar, Richard Bustillo, and especially the aforementioned Dan Inosanto.

Giron was also noted by Mabalon as a member of a labor activist group headed by Larry Itliong, who hailed from San Nicolas, Pangasinan. Their efforts and sacrifices, recently officially recognized by San Nicolas LGU, would eventually pave the way for Filipinos and other immigrants in the States to enjoy the same labor rights as native-born Americans.

Other recorded escrima masters from this town are Benito Junio, a fellow Bayambangueรฑo from Brgy. Inirangan, who was recognized by Giron as being among his mentors; Julian Bundoc of Brgy. Carungay; and Fructuoso Junio of Brgy. Telbang.

On April 2, 2025, the Local Government Unit of Bayambang led by Mayor Mary Clare Judith Phyllis 'Niรฑa' Jose-Quiambao (represented by her husband, Dr. Cezar T. Quiambao), and the whole Sangguniang Bayan led by Vice-Mayor Ian Camille C, Sabangan) officially recognized Giron's accomplishments during the Matalunggaring Awards 2025 ceremony held at Pavilion II, St. Vincent Ferrer Prayer Park as part of the 411th year celebration of the town.

References:

- inosanto. com - inosanto. com/leo-m-giron/

- Dr. Nicolas Miguel, a cousin of Giron

- Dawn Bohulano Mabalon's "Little Manila is in the Heart" (Duke University Press, 2013), pp. 84, 249, 312, quoting Leo Giron's memoir, "Giron Escrima: Memories of a Bladed Warrior" (Los Angeles: Empire, 2006)

- ww2f. com/threads/philippine-guerilla-leaders.13781/

- Acknowledgment for originally tipping us about Giron and for donating the book "Little Manila is in the Heart" to the Museum: Joey Ferrer of Pittsburg, California, USA and Roxas St., Bayambang, Pangasinan